24 7 / 2014

I have no idea what this is referencing but it took me .02 seconds to realize it was an INC setup at Macy’s.  We got so much INC in yesterday just uuugh it all looks the same stupid studs and abstract patterns and unnecessary sparkles.

I have no idea what this is referencing but it took me .02 seconds to realize it was an INC setup at Macy’s.  We got so much INC in yesterday just uuugh it all looks the same stupid studs and abstract patterns and unnecessary sparkles.

(Source: broughttoyoubytheletterq, via chiibee)

24 7 / 2014

ashle1:

corruptedchangeling:

pettyartist:

whitatoodanis:

punchbuggydragon:

thecoffeecoyote:

sizvideos:

Video - Follow our Tumblr

SO MANY HUMMINBIRB

HUMMING BIRD INTENSIFIES

rider-waite have you seen this yet?

This person needs to paint a mini helipad sign and place it near this feeder because TINY HELICOPTER BIRBS

ashle1 i REALLY NEED YOU TO SEE THIS

I REALLY NEEDED TO SEE THIS

(via aquabluejay)

24 7 / 2014

swan2swan:

derrierebender:

Part: 1/2

Yoo Jae-myung, animation director of The Legend of Korra, discusses Nickelodeons initial hesitancy to accept Mike and Bryans proposal of the show… and Korra.

“The sequel focuses on the incarnation of the new Avatar, Korra, as she tries to save a city called the Republic City.”

“So, Korra is a young girl , not a boy. Heroes and protagonists are usually men.”

“That actually became a problem.

Nickelodeon was reluctant to produce this animated series at first because the protagonist was a girl.

I guess you could say that Americans are more conservative than Koreans.

The production was suspended just because the protagonist was a girl.

To compare this situation to a movie production, it’s as if the lead actor has already been cast, but the production agency decides to stop the filming because they don’t approve of the actor.”

Part 2: (x)

Full interview: (x)

You know what?

Flip it.

I’m blaming this. This is why we can’t have nice things. This is why we don’t get the episodes. This is why we don’t get commercials or proper advertising or merchandise. This is still prevalent, they’re still bitter about this, and their utter incompetence and ineptitude when it comes to marketing and promotion could not have POSSIBLY been the genuine reasons for this show’s troubles in the ratings, so it must have been because she’s a girl, so you see “we were right”. That’s all.

This viewpoint will continue until I have a better explanation from the studios. I don’t care if the episodes are on their website when I post this message and jump over to the site, my stance will remain the same. I want an explanation. If you’re not going to give me the product I want to invest in, I want an explanation as to why I can’t have it.

(via chiibee)

24 7 / 2014

24 7 / 2014

starksexual:

so i’m watching hannibal and this fucking ad comes up

starksexual:

so i’m watching hannibal and this fucking ad comes up

(via chiibee)

24 7 / 2014

nubbsgalore:

honduran white tent bats roosting under a heliconia leaf, which they sever down the length of its midrib to create a ‘tent’ that provides a waterproof shelter and protection from potential predators. 

photos by (click pic) konrad wothekenji nishida, jenny theobald and tobias gerlach, leyooutofsomewherewanja krahalex figueroamatt brady, and michael and patricia fogden

(via japandragon)

24 7 / 2014

theodorepython:

maxistentialist:

Tweenbots by Kacie Kinzer:

Given their extreme vulnerability, the vastness of city space, the dangers posed by traffic, suspicion of terrorism, and the possibility that no one would be interested in helping a lost little robot, I initially conceived the Tweenbots as disposable creatures which were more likely to struggle and die in the city than to reach their destination. Because I built them with minimal technology, I had no way of tracking the Tweenbot’s progress, and so I set out on the first test with a video camera hidden in my purse. I placed the Tweenbot down on the sidewalk, and walked far enough away that I would not be observed as the Tweenbot––a smiling 10-inch tall cardboard missionary––bumped along towards his inevitable fate.
The results were unexpected. Over the course of the following months, throughout numerous missions, the Tweenbots were successful in rolling from their start point to their far-away destination assisted only by strangers. Every time the robot got caught under a park bench, ground futilely against a curb, or became trapped in a pothole, some passerby would always rescue it and send it toward its goal. Never once was a Tweenbot lost or damaged. Often, people would ignore the instructions to aim the Tweenbot in the “right” direction, if that direction meant sending the robot into a perilous situation. One man turned the robot back in the direction from which it had just come, saying out loud to the Tweenbot, “You can’t go that way, it’s toward the road.”
The Tweenbot’s unexpected presence in the city created an unfolding narrative that spoke not simply to the vastness of city space and to the journey of a human-assisted robot, but also to the power of a simple technological object to create a complex network powered by human intelligence and asynchronous interactions. But of more interest to me, was the fact that this ad-hoc crowdsourcing was driven primarily by human empathy for an anthropomorphized object. The journey the Tweenbots take each time they are released in the city becomes a story of people’s willingness to engage with a creature that mirrors human characteristics of vulnerability, of being lost, and of having intention without the means of achieving its goal alone. As each encounter with a helpful pedestrian takes the robot one step closer to attaining it’s destination, the significance of our random discoveries and individual actions accumulates into a story about a vast space made small by an even smaller robot.


Man this is still one of my favorite little social projects/experiments.

theodorepython:

maxistentialist:

Tweenbots by Kacie Kinzer:

Given their extreme vulnerability, the vastness of city space, the dangers posed by traffic, suspicion of terrorism, and the possibility that no one would be interested in helping a lost little robot, I initially conceived the Tweenbots as disposable creatures which were more likely to struggle and die in the city than to reach their destination. Because I built them with minimal technology, I had no way of tracking the Tweenbot’s progress, and so I set out on the first test with a video camera hidden in my purse. I placed the Tweenbot down on the sidewalk, and walked far enough away that I would not be observed as the Tweenbot––a smiling 10-inch tall cardboard missionary––bumped along towards his inevitable fate.

The results were unexpected. Over the course of the following months, throughout numerous missions, the Tweenbots were successful in rolling from their start point to their far-away destination assisted only by strangers. Every time the robot got caught under a park bench, ground futilely against a curb, or became trapped in a pothole, some passerby would always rescue it and send it toward its goal. Never once was a Tweenbot lost or damaged. Often, people would ignore the instructions to aim the Tweenbot in the “right” direction, if that direction meant sending the robot into a perilous situation. One man turned the robot back in the direction from which it had just come, saying out loud to the Tweenbot, “You can’t go that way, it’s toward the road.”

The Tweenbot’s unexpected presence in the city created an unfolding narrative that spoke not simply to the vastness of city space and to the journey of a human-assisted robot, but also to the power of a simple technological object to create a complex network powered by human intelligence and asynchronous interactions. But of more interest to me, was the fact that this ad-hoc crowdsourcing was driven primarily by human empathy for an anthropomorphized object. The journey the Tweenbots take each time they are released in the city becomes a story of people’s willingness to engage with a creature that mirrors human characteristics of vulnerability, of being lost, and of having intention without the means of achieving its goal alone. As each encounter with a helpful pedestrian takes the robot one step closer to attaining it’s destination, the significance of our random discoveries and individual actions accumulates into a story about a vast space made small by an even smaller robot.

Man this is still one of my favorite little social projects/experiments.

(via calliecucumber)

24 7 / 2014

Judging how the source is for a blog that posts pictures of “cute couples” I have to wonder how many people are reblogging this for the look of the intimacy or because they’re Supernatural fans.

Judging how the source is for a blog that posts pictures of “cute couples” I have to wonder how many people are reblogging this for the look of the intimacy or because they’re Supernatural fans.

(via japandragon)

24 7 / 2014

juliamon:

Happy 10th anniversary!

juliamon:

Happy 10th anniversary!

24 7 / 2014

aka-cats:

sh4rki:

Hi Sebastian has this phobia i guess you would call it of eating alone, he won’t eat unless someone is in the same room eating as him, i dont know why and we’ve taken him to the vet to see if it’s a stomach problem on why he wasn’t eating until we started to notice a pattern, only when you’re in the room eating will he start to chow down on his food. So we put his bowl on his side of the table and he eats Breakfast, Lunch and Dinner with us. He’ll wait till you’re seated and eating to start on his meal, it’s really sweet, though we still have no idea why he does it.

WHAT THATS THE CUTEST THING EVER OMG

aka-cats:

sh4rki:

Hi Sebastian has this phobia i guess you would call it of eating alone, he won’t eat unless someone is in the same room eating as him, i dont know why and we’ve taken him to the vet to see if it’s a stomach problem on why he wasn’t eating until we started to notice a pattern, only when you’re in the room eating will he start to chow down on his food. So we put his bowl on his side of the table and he eats Breakfast, Lunch and Dinner with us. He’ll wait till you’re seated and eating to start on his meal, it’s really sweet, though we still have no idea why he does it.

WHAT THATS THE CUTEST THING EVER OMG

(Source: patientlights, via a-study-in-gayhawks)